Two interests collided the other day: continuing photographic experimentation and postcard collecting. I recently bought a mini-magnetic-macro lens for my iPhone (nowadays the only camera I carry with me) and have been rediscovering the worlds revealed by extreme close up. Buying the postcard shown below, of Selfridges department store in Oxford Street, London circa 1970, and taking close up photos with the macro lens, revealed some nice aesthetic effects along with reflections on suddenly examined life.
The image samples remind me of a sophisticated computer-generated model for a new piece of urban design (see past posts on representation); not quite real, not quite not-real; unreal realism you might call it.
The narrow depth of field of the lens introduces a realistic motion that isn’t there in the postcard, while the people caught in focus move centre-stage. What is that old man thinking as he crosses the road? He looks so… sad, reflective and calm amongst the bustle of traffic and people. Perhaps he has just lost his job, or wife? or maybe he is just walking to work. Perhaps he knows the women in the second image, just about to cross the road, with her bags? Perhaps she is his wife, or daughter, or the women next door that he often catches himself thinking about.